It's every actor and crew member's nightmare: something going wrong onstage. Someone forgets a line, an actor misses an entrance, a light blows out, a mic stops working...there's all kinds of opportunities for accidents in live theater.
Yes, these mistakes are horrifying when they happen. But when you look back on them, honestly?...they make for the best stories. You can always laugh about it later. And most of the time, the audience doesn't even notice!
We here at Improv Playhouse have had our fair share of theater-gone-wrong stories. Just so you know that it isn't the end of the world, here are some of our favorites:
-"I worked on a show for preschool kids where, before entering the theater, the kids went through several hallways that engaged the senses. One was the hamster disco. The hamster disco had stars all over the walls, a rotating disco ball, and a video of hamsters playing projected on the wall. One day, after our pre-show meeting in the theater, we went into the hall and it smelled of SMOKE. We ran around trying to fix it and discovered that our cheap disco ball was the culprit! We immediately turned it off and opened all of the doors we could. The kids were waiting outside with their chaperones (who were very suspicious of our frantic door-opening), but they were having a blast just being outside. Once the smell died down and we assured everyone of their safety, we brought the kids through and skipped the disco. They certainly didn't notice! They and their chaperones loved the show. And for the rest of the run, we just turned the disco ball on without letting it rotate and all was well."
-"In high school, I was an ensemble member in Into the Woods. Our one and only dance number came at the end of the opening song as the main characters head into the woods. On opening night, I waited until exactly the right moment to take my first creeping step onstage with everyone else--and the buckle of my shoe caught on the hem of my dress! I yanked it free, but the buckle ripped off! It was too late to do anything about it, so I had to wobble onstage and dance anyway. Luckily, I didn't twist my ankle, and also luckily, our wonderful costume lady was there during the performance. I ran my poor little shoe over to her and she was able to fix it before I needed it next!"
-"I was asleep in my bed the night before my production of Godspell opened--and in my sleep, I pulled my calf. Bad. I had to hobble around in crutches the next day and the whole cast had to arrive early to go over what needed to be changed! I was so embarrassed. But everything worked out well--there was even one song where everyone danced with canes, so I just used my crutch instead. There was also a part where everyone was yelling at each other, and just as we were cut off, my friend turned to me and yelled "SHUT UP, GIMP!" The audience burst out laughing and it took every ounce of self-control for me to hold it together! (And don't worry--I was recovered for the rest of our run!)"
-"During a run of The Imaginary Invalid, one of the actors (who was onstage the entire second act) had a hairpiece wrapped around his ponytail to make it look like he had long hair. His character talked to his brother (who was also on the entire second act). The brother wore a headpiece shaped like a turban with two curls of hair attached to make it look like his long hair was escaping it. Towards the beginning of the act, the first actor's hairpiece fell right off--just a quick little plop on to the stage. He turned and stared at it while the audience laughed. He turned back to his brother and improvised, "It's a piece." The audience roared with laughter and his brother said, "It's okay! Me too!" and lifted up his turban to show that the hair was attached. The audience could tell this wasn't scripted, but it was handled so well on stage that they didn't care. The brother just picked up the fallen hairpiece, yelled the name of the show's maid, and threw it offstage. Worked like a charm!"
We want to know--what are YOUR favorite stories of theater gone wrong? Tell us below!
Showing posts with label list. Show all posts
Showing posts with label list. Show all posts
Monday, February 6, 2012
Friday, October 28, 2011
Halloween Improv Games
Are you throwing a Halloween party? Need some spooooooky games to play? Well, you've come to the right place. Some of these are scary on their own, and for some all you need is a haunting suggestion!
Chain Murder: Three people go out of the room, and while they're gone, one person sees a MURDER! The first person is told the murder's location, the occupation of the victim, and the weapon used (remember these with the acronym LOW). Person #2 comes in from outside, and the first person needs to tell the second what happened--but they both speak gibberish! Once the second person has learned the LOW-down, they MURDER the first person! The third person from outside the room comes in, and second person needs to tell the third person what happened. Once he/she figures it out, the third MURDERS the second! The fourth comes in and finds out what happened from the third. Once the fourth person finds out, he/she MURDERS the third! Then all four need to tell the audience what they think the location, occupation, and weapon were. It ends up being like the game telephone--it's never the same! (This description makes the game sound very complicated, but don't worry, it's not hard at all!)
Spooky Party Quirks: Party Quirks is an improv classic! One person is the host of the party, and they leave the room. Three other people are guests at the party, but each one gets a strange quirk or identity from the audience. For this Halloween version, think monsters, ghosts, or Voldemort! Once the guests know who they are, the host comes back in and throws a party! The host needs to figure out who the scary guests are...before they get him!
Zombies: This starts out like a normal improv game--you get any basic scene suggestions from the audience that you want (location, relationship, conflict, the usual). But at any point, another player who isn't in the scene can MURDER one of the other people in it and take their place! Anyone who gets murdered has to stay on the floor until someone yells "ZOMBIES!" Then they can get up and go back to their seat, but only if they move like a zombie.
Horror Freeze: Two people start a scene, but it has to be Halloween-themed! At any point, someone else can yell "FREEZE!" The two people have to freeze, and the new person taps out one of the two and starts a new scene based on the position they were in. But again, keep it all Halloween-themed! Perhaps there's a visit to a graveyard, or a spooky mansion, or Dracula!
Whatever you do for your Halloween party, be safe and have lots of fun! Halloween is a great time to play games and have lots of fun. And candy.
Also, if you want a spook, come see the Improv Playhouse Radio Players perform DRACULA, this Saturday night at our black box! Tickets are $15 for adults and $10 for seniors, students, and military at the door, but if you come in a costume, you get $2 off. Join us for either of two shows at 7:30 or 9:00 pm. We'll see you there...and so will the Count...
Chain Murder: Three people go out of the room, and while they're gone, one person sees a MURDER! The first person is told the murder's location, the occupation of the victim, and the weapon used (remember these with the acronym LOW). Person #2 comes in from outside, and the first person needs to tell the second what happened--but they both speak gibberish! Once the second person has learned the LOW-down, they MURDER the first person! The third person from outside the room comes in, and second person needs to tell the third person what happened. Once he/she figures it out, the third MURDERS the second! The fourth comes in and finds out what happened from the third. Once the fourth person finds out, he/she MURDERS the third! Then all four need to tell the audience what they think the location, occupation, and weapon were. It ends up being like the game telephone--it's never the same! (This description makes the game sound very complicated, but don't worry, it's not hard at all!)
Spooky Party Quirks: Party Quirks is an improv classic! One person is the host of the party, and they leave the room. Three other people are guests at the party, but each one gets a strange quirk or identity from the audience. For this Halloween version, think monsters, ghosts, or Voldemort! Once the guests know who they are, the host comes back in and throws a party! The host needs to figure out who the scary guests are...before they get him!
Zombies: This starts out like a normal improv game--you get any basic scene suggestions from the audience that you want (location, relationship, conflict, the usual). But at any point, another player who isn't in the scene can MURDER one of the other people in it and take their place! Anyone who gets murdered has to stay on the floor until someone yells "ZOMBIES!" Then they can get up and go back to their seat, but only if they move like a zombie.
Horror Freeze: Two people start a scene, but it has to be Halloween-themed! At any point, someone else can yell "FREEZE!" The two people have to freeze, and the new person taps out one of the two and starts a new scene based on the position they were in. But again, keep it all Halloween-themed! Perhaps there's a visit to a graveyard, or a spooky mansion, or Dracula!
Whatever you do for your Halloween party, be safe and have lots of fun! Halloween is a great time to play games and have lots of fun. And candy.
Also, if you want a spook, come see the Improv Playhouse Radio Players perform DRACULA, this Saturday night at our black box! Tickets are $15 for adults and $10 for seniors, students, and military at the door, but if you come in a costume, you get $2 off. Join us for either of two shows at 7:30 or 9:00 pm. We'll see you there...and so will the Count...
Wednesday, October 12, 2011
Improv Scene Basics: Creating a Character
Creating a character is a ton of fun. You get to completely define who you're going to be and what you're capable of! You can give yourself superpowers, be a talking animal, or become the richest human being alive. Unless you're Superman, Flounder, or Bill Gates, your character probably isn't exactly the same as you. But it's very easy to fall into the trap of forgetting your character over the course of the scene (especially if it hasn't been assigned to you). By the end of the scene, it's YOU finding your way out of the forest, breaking out of jail, or taking a tour of the floor factory. While this can definitely work, it's not quite as fun or advanced. If you're comfortable taking your improv to the next level, here are some handy questions to keep in mind for creating your character.
-What's your character's name? What does that name say about you?
-Where is your character from? Another town? Another country? Another planet?
-How was your character raised? Were you teased? Are you insecure about anything?
-How does your character stand? Are their shoulders hunched? Do they stand tall and proud?
-What's your character's personality? Are you a know-it-all? Are you sneaky? Are you eager?
-What are your goals? If the world worked your way, what would it be like?
-How old are you? Did you see the fall of Rome? Are you in preschool?
-What are your hobbies? What do you like to do? Homework? Rock collecting? Archery?
-What clothes are you wearing? What do those clothes say about you? How do they feel?
-Is there a gesture or facial expression you're known for? Why do you make it?
-How does your character walk? What speed? Is there a limp?
These are just a few of the ways you can bring your character to life. Obviously, you don't always have time to think all of these through in the few seconds between the audience's suggestions and the beginning of your scene. But if you can define even a few of these, you've created something engrossing for the audience to enjoy. You'll also notice the scene become a lot easier. There are more places you can go as a character than just as yourself! You get new ideas and discover ways to solve the conflict--plus the audience will just eat it up.
In fact, Chris Farley, who was a very famous actor, got his start because of his renowned character improv. He joined Second City and rose quickly through the ranks until he was on the Mainstage--and it was because he could create those well-rounded characters. In fact, there was one improv scene he did as a waiter to a couple on a date when he first started on the Mainstage . The couple was fairly normal, but he was an incredibly depressed waiter. Everything he did was with an air of hopelessness and the audience couldn't get enough. They hadn't given him this quirk, he just came up with it on his own. Don't be afraid to go for it onstage like he did! (Fun fact: did you know Chris Farley's famous SNL sketch "Livin' in a VAN down by the RIVER" was born on the Second City stage?)
Best of luck shaping your characters! Perhaps your character can come with you to school or work tomorrow...
-Allie
-What's your character's name? What does that name say about you?
-Where is your character from? Another town? Another country? Another planet?
-How was your character raised? Were you teased? Are you insecure about anything?
-How does your character stand? Are their shoulders hunched? Do they stand tall and proud?
-What's your character's personality? Are you a know-it-all? Are you sneaky? Are you eager?
-What are your goals? If the world worked your way, what would it be like?
-How old are you? Did you see the fall of Rome? Are you in preschool?
-What are your hobbies? What do you like to do? Homework? Rock collecting? Archery?
-What clothes are you wearing? What do those clothes say about you? How do they feel?
-Is there a gesture or facial expression you're known for? Why do you make it?
-How does your character walk? What speed? Is there a limp?
These are just a few of the ways you can bring your character to life. Obviously, you don't always have time to think all of these through in the few seconds between the audience's suggestions and the beginning of your scene. But if you can define even a few of these, you've created something engrossing for the audience to enjoy. You'll also notice the scene become a lot easier. There are more places you can go as a character than just as yourself! You get new ideas and discover ways to solve the conflict--plus the audience will just eat it up.
In fact, Chris Farley, who was a very famous actor, got his start because of his renowned character improv. He joined Second City and rose quickly through the ranks until he was on the Mainstage--and it was because he could create those well-rounded characters. In fact, there was one improv scene he did as a waiter to a couple on a date when he first started on the Mainstage . The couple was fairly normal, but he was an incredibly depressed waiter. Everything he did was with an air of hopelessness and the audience couldn't get enough. They hadn't given him this quirk, he just came up with it on his own. Don't be afraid to go for it onstage like he did! (Fun fact: did you know Chris Farley's famous SNL sketch "Livin' in a VAN down by the RIVER" was born on the Second City stage?)
Best of luck shaping your characters! Perhaps your character can come with you to school or work tomorrow...
-Allie
Monday, July 25, 2011
Audition Secrets from the People Who Cast You...SHHH!
Auditions are scary, whether you’re a student actor, a theatre major, or a professional actor! An actor must learn a monologue, perform with a complete stranger, pick up a dance on the fly, or even sing a song, depending on what kind of show he or she is auditioning for. As an actor, I’ve always dreaded auditions, but as a teacher, I enjoy them. I love seeing what young performers have to bring to a production. To help keep nerves a bay, here are a few things to keep in mind when you audition, pulled from my own experience casting and being cast:
1) Attitude is everything. Directors want to work with actors who are cheerful, enthusiastic,
and helpful. Show the directors that you can be a team player by treating both them and
your fellow performers with the respect and compassion they deserve.
2) Be loud! Just because it’s not a performance doesn’t mean that you can be lazy with your
projection. If we can’t hear you, we won’t want you to cast you in a leading role.
3) Don’t apologize if you fumble a line or mess up a dance move. We know that you’re a
nervous and everyone makes mistakes. We would rather see you keeping trying—“The
show must go on!”
4) Be prepared. You will probably not be expected to have lines memorized for your audition,
but if you’ve been asked to prepared a monologue or a song, you should know that
monologue and/or song like the back of your hand. I also recommend knowing something
about the show going in, so that if you cold-read a scene, you have some idea of what it’s
about. If you continue acting at a college of professional level, they will most likely expect
you to have read the entire play beforehand!
5) Don’t be a gossip. This piece of advice ties very closely into number one. When another
performer is auditioning, you should be a quiet and respectful audience member. If you get
caught whispering with a friend or rolling your eyes during another actor’s audition, not
only does it have the potential to hurt that performer’s feelings, we directors will most likely
notice it, and it will negatively affect your chances.
6) Take care of yourself. Get a good night’s sleep the night before you audition, and make
sure you’ve had plenty to eat. Always bring a water to drink so that you are hydrated. Wear
comfortable clothes (especially if you have to dance) and shoes that won’t trip you up.
7) Most importantly, remember that the people casting you are most likely performers as
well, who understand how nerve-wracking auditions can be. We aren’t looking to pick your
performance apart; we want to see you succeed! In addition, we always hope that you will
enjoy the role we cast you in. A good director will never put you in a part to spite you or
hurt your feelings, and just because we don’t cast you in the lead doesn’t mean we don’t
like you or we didn’t enjoy your performance.
Break a leg!
Guest blogger Shannon Campe is imProv Playhouse’s Resident Dramaturge. She has worked as both a teacher and an actress during her ten years at iP, where credits include The Glass Menagerie (Amanda), Blithe Spirit (Elvira), and Alice in Wonderland (Alice.) She is currently studying Theatre and Creative Writing at Butler University in Indianapolis.
1) Attitude is everything. Directors want to work with actors who are cheerful, enthusiastic,
and helpful. Show the directors that you can be a team player by treating both them and
your fellow performers with the respect and compassion they deserve.
2) Be loud! Just because it’s not a performance doesn’t mean that you can be lazy with your
projection. If we can’t hear you, we won’t want you to cast you in a leading role.
3) Don’t apologize if you fumble a line or mess up a dance move. We know that you’re a
nervous and everyone makes mistakes. We would rather see you keeping trying—“The
show must go on!”
4) Be prepared. You will probably not be expected to have lines memorized for your audition,
but if you’ve been asked to prepared a monologue or a song, you should know that
monologue and/or song like the back of your hand. I also recommend knowing something
about the show going in, so that if you cold-read a scene, you have some idea of what it’s
about. If you continue acting at a college of professional level, they will most likely expect
you to have read the entire play beforehand!
5) Don’t be a gossip. This piece of advice ties very closely into number one. When another
performer is auditioning, you should be a quiet and respectful audience member. If you get
caught whispering with a friend or rolling your eyes during another actor’s audition, not
only does it have the potential to hurt that performer’s feelings, we directors will most likely
notice it, and it will negatively affect your chances.
6) Take care of yourself. Get a good night’s sleep the night before you audition, and make
sure you’ve had plenty to eat. Always bring a water to drink so that you are hydrated. Wear
comfortable clothes (especially if you have to dance) and shoes that won’t trip you up.
7) Most importantly, remember that the people casting you are most likely performers as
well, who understand how nerve-wracking auditions can be. We aren’t looking to pick your
performance apart; we want to see you succeed! In addition, we always hope that you will
enjoy the role we cast you in. A good director will never put you in a part to spite you or
hurt your feelings, and just because we don’t cast you in the lead doesn’t mean we don’t
like you or we didn’t enjoy your performance.
Break a leg!
Guest blogger Shannon Campe is imProv Playhouse’s Resident Dramaturge. She has worked as both a teacher and an actress during her ten years at iP, where credits include The Glass Menagerie (Amanda), Blithe Spirit (Elvira), and Alice in Wonderland (Alice.) She is currently studying Theatre and Creative Writing at Butler University in Indianapolis.
Wednesday, June 15, 2011
Give a Monkey Coffee...
...and you'll probably end up with a David Letterman-style Top-10 list of reasons to come to IP! Not that we tried this or anything; we're just saying, if you were to do such a silly thing, you might get a list like this one:
TOP 10 REASONS YOU OR YOUR CHILD SHOULD JOIN IP:
10. You will both know about and approve of your teenager's evening activities.
9. People won't leave when you approach the water cooler.
8. You'll finally learn a joke you can tell your 6-yr-old.
7. Your daughter will want to be seen with you in public.
6. Your spouse will appreciate you learning how to laugh.
5. You'll appreciate laughing at your spouse.
4. Twenty-somethings will be shocked to discover that you are older than they are.
3. Not only will you be invited to more family functions, you'll know how to turn them down.
2. You'll finally have friends.
1. Compared to us, you'll look sane!
Also, can anyone tell me what a Premium French roast is? I can't taste a difference. On the other hand, I did spit that list out in five minutes while drinking it, so maybe it's better quality after all. . . .
--Monkey #5
TOP 10 REASONS YOU OR YOUR CHILD SHOULD JOIN IP:
10. You will both know about and approve of your teenager's evening activities.
9. People won't leave when you approach the water cooler.
8. You'll finally learn a joke you can tell your 6-yr-old.
7. Your daughter will want to be seen with you in public.
6. Your spouse will appreciate you learning how to laugh.
5. You'll appreciate laughing at your spouse.
4. Twenty-somethings will be shocked to discover that you are older than they are.
3. Not only will you be invited to more family functions, you'll know how to turn them down.
2. You'll finally have friends.
1. Compared to us, you'll look sane!
Also, can anyone tell me what a Premium French roast is? I can't taste a difference. On the other hand, I did spit that list out in five minutes while drinking it, so maybe it's better quality after all. . . .
--Monkey #5
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