It's every actor and crew member's nightmare: something going wrong onstage. Someone forgets a line, an actor misses an entrance, a light blows out, a mic stops working...there's all kinds of opportunities for accidents in live theater.
Yes, these mistakes are horrifying when they happen. But when you look back on them, honestly?...they make for the best stories. You can always laugh about it later. And most of the time, the audience doesn't even notice!
We here at Improv Playhouse have had our fair share of theater-gone-wrong stories. Just so you know that it isn't the end of the world, here are some of our favorites:
-"I worked on a show for preschool kids where, before entering the theater, the kids went through several hallways that engaged the senses. One was the hamster disco. The hamster disco had stars all over the walls, a rotating disco ball, and a video of hamsters playing projected on the wall. One day, after our pre-show meeting in the theater, we went into the hall and it smelled of SMOKE. We ran around trying to fix it and discovered that our cheap disco ball was the culprit! We immediately turned it off and opened all of the doors we could. The kids were waiting outside with their chaperones (who were very suspicious of our frantic door-opening), but they were having a blast just being outside. Once the smell died down and we assured everyone of their safety, we brought the kids through and skipped the disco. They certainly didn't notice! They and their chaperones loved the show. And for the rest of the run, we just turned the disco ball on without letting it rotate and all was well."
-"In high school, I was an ensemble member in Into the Woods. Our one and only dance number came at the end of the opening song as the main characters head into the woods. On opening night, I waited until exactly the right moment to take my first creeping step onstage with everyone else--and the buckle of my shoe caught on the hem of my dress! I yanked it free, but the buckle ripped off! It was too late to do anything about it, so I had to wobble onstage and dance anyway. Luckily, I didn't twist my ankle, and also luckily, our wonderful costume lady was there during the performance. I ran my poor little shoe over to her and she was able to fix it before I needed it next!"
-"I was asleep in my bed the night before my production of Godspell opened--and in my sleep, I pulled my calf. Bad. I had to hobble around in crutches the next day and the whole cast had to arrive early to go over what needed to be changed! I was so embarrassed. But everything worked out well--there was even one song where everyone danced with canes, so I just used my crutch instead. There was also a part where everyone was yelling at each other, and just as we were cut off, my friend turned to me and yelled "SHUT UP, GIMP!" The audience burst out laughing and it took every ounce of self-control for me to hold it together! (And don't worry--I was recovered for the rest of our run!)"
-"During a run of The Imaginary Invalid, one of the actors (who was onstage the entire second act) had a hairpiece wrapped around his ponytail to make it look like he had long hair. His character talked to his brother (who was also on the entire second act). The brother wore a headpiece shaped like a turban with two curls of hair attached to make it look like his long hair was escaping it. Towards the beginning of the act, the first actor's hairpiece fell right off--just a quick little plop on to the stage. He turned and stared at it while the audience laughed. He turned back to his brother and improvised, "It's a piece." The audience roared with laughter and his brother said, "It's okay! Me too!" and lifted up his turban to show that the hair was attached. The audience could tell this wasn't scripted, but it was handled so well on stage that they didn't care. The brother just picked up the fallen hairpiece, yelled the name of the show's maid, and threw it offstage. Worked like a charm!"
We want to know--what are YOUR favorite stories of theater gone wrong? Tell us below!
Showing posts with label theater. Show all posts
Showing posts with label theater. Show all posts
Monday, February 6, 2012
Tuesday, January 24, 2012
Quick Improv Games: Genre Replay/Scene Three Ways
Do you ever see your life through the lens of a movie? What kind of movie would it be? Romantic comedy? Silent film? Horror? (I hope not!)
In today's Quick Improv Game, you get to embody several genres in the scene you perform. How, you ask? It's quite simple! Just play this fun game known by many names: Genre Replay, aka Scene Three Ways!
Start your scene like it's any normal improv scene with one or two others. You can ask for whatever you like from the audience--relationship, conflict, location, the usual. Perform a short scene for them. But you have to remember each step you take in this scene!
When you're done, take a short bow. But then say to the audience, "How would you like to see that scene done differently? What genre should that scene be in now?" Get a genre suggestion from the audience, and redo that exact same scene as if it were from a movie in that genre! Don't be afraid to change lines, aspects of your character, and certain steps from your escalating tactics. As long as it's a similar scene in essence, have fun with it!
Finish up your new version amid laughter and applause. But ask for yet another genre this time! If you can, make it as different a genre as possible from the previous scene, just to keep things interesting. Again, don't be afraid to play with your givens this round! Wrap it up in a vaguely similar way and enjoy the raucous applause.
What are some genres that you can expect from the audience? Well, don't expect them to stay limited to movie genres! There's...
-Action
-Three Stooges
-Shakespeare (harder than you'd think!)
-Musical (also hard, but worth it if you can stumble your way through!)
-Cooking Show
-After School Special
-Anime
-Soap Opera
-Music Video
And many more! And don't be afraid to try a genre that you aren't too familiar with. Sometimes you get the best scenes that way!
Have you played this game? What were some of your favorite genres? How did you adapt your scene?
In today's Quick Improv Game, you get to embody several genres in the scene you perform. How, you ask? It's quite simple! Just play this fun game known by many names: Genre Replay, aka Scene Three Ways!
Start your scene like it's any normal improv scene with one or two others. You can ask for whatever you like from the audience--relationship, conflict, location, the usual. Perform a short scene for them. But you have to remember each step you take in this scene!
When you're done, take a short bow. But then say to the audience, "How would you like to see that scene done differently? What genre should that scene be in now?" Get a genre suggestion from the audience, and redo that exact same scene as if it were from a movie in that genre! Don't be afraid to change lines, aspects of your character, and certain steps from your escalating tactics. As long as it's a similar scene in essence, have fun with it!
Finish up your new version amid laughter and applause. But ask for yet another genre this time! If you can, make it as different a genre as possible from the previous scene, just to keep things interesting. Again, don't be afraid to play with your givens this round! Wrap it up in a vaguely similar way and enjoy the raucous applause.
What are some genres that you can expect from the audience? Well, don't expect them to stay limited to movie genres! There's...
-Action
-Three Stooges
-Shakespeare (harder than you'd think!)
-Musical (also hard, but worth it if you can stumble your way through!)
-Cooking Show
-After School Special
-Anime
-Soap Opera
-Music Video
And many more! And don't be afraid to try a genre that you aren't too familiar with. Sometimes you get the best scenes that way!
Have you played this game? What were some of your favorite genres? How did you adapt your scene?
Friday, November 11, 2011
Improv Playhouse wants to thank veterans - through stand-up!
Hello, our assuredly attractive readers!
Veterans Day is a wonderful way to honor those who have served. No matter the kind of duty, these brave men and women have done some amazing things for their country--and that means for you and I. So thank you, veterans, for all you have done and still do.
And the best way Improv Playhouse knows how to honor people is through comedy! We're hosting a "funny not filthy" adult stand-up show tonight in honor of our veterans from 8:30-10:00 pm at the Round Lake Beach Cultural & Civic Center. It will have you guffawing! Here's the line-up:
Emcee Dobie Maxwell (of Zanies and The Improv fame)
Karl Newyear (The World's Funniest Lutheran)
& Michelle Krajecki (The Queen of Christian Comedy)
Tickets are $12.50 each, or 2 for $20. All veterans are FREE! 10% of the proceeds will go towards the Wounded Warrior Project. We hope to see you there! And, as always, please contact Improv Playhouse with any questions you may have at (847) 968-4529.
Are you a veteran? What are you doing today to mark the occasion?
Veterans Day is a wonderful way to honor those who have served. No matter the kind of duty, these brave men and women have done some amazing things for their country--and that means for you and I. So thank you, veterans, for all you have done and still do.
And the best way Improv Playhouse knows how to honor people is through comedy! We're hosting a "funny not filthy" adult stand-up show tonight in honor of our veterans from 8:30-10:00 pm at the Round Lake Beach Cultural & Civic Center. It will have you guffawing! Here's the line-up:
Emcee Dobie Maxwell (of Zanies and The Improv fame)
Karl Newyear (The World's Funniest Lutheran)
& Michelle Krajecki (The Queen of Christian Comedy)
Tickets are $12.50 each, or 2 for $20. All veterans are FREE! 10% of the proceeds will go towards the Wounded Warrior Project. We hope to see you there! And, as always, please contact Improv Playhouse with any questions you may have at (847) 968-4529.
Are you a veteran? What are you doing today to mark the occasion?
Monday, November 7, 2011
Improv Scene Basics: Finding a Conflict
When it comes to improv, one of the most important things you need to establish in your scene is a conflict. (In real life, this is a little less desirable.) No conflict = nothing to do. Nothing to do = a boring scene for your audience. And we certainly can't have that!
In some games, it's much easier to figure out your conflict because it's given to you. For example, in Party Quirks, the conflict is the need to figure out who the guests are. But in a game like Genre Replay (aka Scene Three Ways), it's absolutely crucial to find your conflict. When you redo your scene, the audience will know what to look forward to and you will have something to work with.
So how do you go about finding your conflict? Well, sometimes it's given to you by the audience. Your emcee might ask specifically for a conflict ("There are no paper towels left in the house!"), or it might be obvious in your character or setting suggestion ("Teacher and disruptive student!" "In a volcano!"). But that doesn't happen too often, so it's best not to count on it.
Take your givens--whatever your suggestions are from the audience as well as the confines of the game. If it's Genre Replay, remember you'll be doing your scene again in a different style. If it's Freeze, remember you'll need to keep it short and include some wild poses and gestures for your fellow teammates. The rules of the game should help you rather than hinder you in terms of what you need to do and how to do it.
The next step is a logical one for any improviser: think, "How can I take what I know and cause some drama?" No matter how normal or wacky your givens may be, all you have to do is figure out what might throw things off.
Let's do an example. Say you're doing a basic open scene (no rules) and your suggestion is a relationship, so you and your scene partner are neighbors. What could be the problem?
-Each neighbor's lawn has grass of a different height
-A ball is in one neighbor's yard, but the other neighbor isn't allowed to retrieve it.
-The water isn't working, so neither can shower, water the lawn, or wash their hands.
-Whose flowers will win the garden show???
-A stray dog dug holes in everyone's yard--and uncovered some buried treasure
These are all simple ideas that can turn a basic scene into a grand adventure. You can even be inspired by your own life (the "no water" idea happened to my dad and his neighbors). Taking steps to resolve that conflict is your next step--but that's another blog post.
For anyone but the experts, we highly recommend keeping the conflict external (which means your conflict shouldn't be BETWEEN you and your fellow improvisers). If you and your partner aren't allowed to work together to find a solution, much of what improv builds upon is lost. The beauty of each scene is that you get through it with teamwork as well as building from everyone's imagination. It's hard for you, your partner, and the audience to get through a scene filled with animosity.
We would wish you luck in your scenes, but you won't need it. Finding the conflict is easier than you think. Just relax and play. You'll be surprised how conflicts can come naturally out of your givens.
In some games, it's much easier to figure out your conflict because it's given to you. For example, in Party Quirks, the conflict is the need to figure out who the guests are. But in a game like Genre Replay (aka Scene Three Ways), it's absolutely crucial to find your conflict. When you redo your scene, the audience will know what to look forward to and you will have something to work with.
So how do you go about finding your conflict? Well, sometimes it's given to you by the audience. Your emcee might ask specifically for a conflict ("There are no paper towels left in the house!"), or it might be obvious in your character or setting suggestion ("Teacher and disruptive student!" "In a volcano!"). But that doesn't happen too often, so it's best not to count on it.
Take your givens--whatever your suggestions are from the audience as well as the confines of the game. If it's Genre Replay, remember you'll be doing your scene again in a different style. If it's Freeze, remember you'll need to keep it short and include some wild poses and gestures for your fellow teammates. The rules of the game should help you rather than hinder you in terms of what you need to do and how to do it.
The next step is a logical one for any improviser: think, "How can I take what I know and cause some drama?" No matter how normal or wacky your givens may be, all you have to do is figure out what might throw things off.
Let's do an example. Say you're doing a basic open scene (no rules) and your suggestion is a relationship, so you and your scene partner are neighbors. What could be the problem?
-Each neighbor's lawn has grass of a different height
-A ball is in one neighbor's yard, but the other neighbor isn't allowed to retrieve it.
-The water isn't working, so neither can shower, water the lawn, or wash their hands.
-Whose flowers will win the garden show???
-A stray dog dug holes in everyone's yard--and uncovered some buried treasure
These are all simple ideas that can turn a basic scene into a grand adventure. You can even be inspired by your own life (the "no water" idea happened to my dad and his neighbors). Taking steps to resolve that conflict is your next step--but that's another blog post.
For anyone but the experts, we highly recommend keeping the conflict external (which means your conflict shouldn't be BETWEEN you and your fellow improvisers). If you and your partner aren't allowed to work together to find a solution, much of what improv builds upon is lost. The beauty of each scene is that you get through it with teamwork as well as building from everyone's imagination. It's hard for you, your partner, and the audience to get through a scene filled with animosity.
We would wish you luck in your scenes, but you won't need it. Finding the conflict is easier than you think. Just relax and play. You'll be surprised how conflicts can come naturally out of your givens.
Friday, October 28, 2011
Halloween Improv Games
Are you throwing a Halloween party? Need some spooooooky games to play? Well, you've come to the right place. Some of these are scary on their own, and for some all you need is a haunting suggestion!
Chain Murder: Three people go out of the room, and while they're gone, one person sees a MURDER! The first person is told the murder's location, the occupation of the victim, and the weapon used (remember these with the acronym LOW). Person #2 comes in from outside, and the first person needs to tell the second what happened--but they both speak gibberish! Once the second person has learned the LOW-down, they MURDER the first person! The third person from outside the room comes in, and second person needs to tell the third person what happened. Once he/she figures it out, the third MURDERS the second! The fourth comes in and finds out what happened from the third. Once the fourth person finds out, he/she MURDERS the third! Then all four need to tell the audience what they think the location, occupation, and weapon were. It ends up being like the game telephone--it's never the same! (This description makes the game sound very complicated, but don't worry, it's not hard at all!)
Spooky Party Quirks: Party Quirks is an improv classic! One person is the host of the party, and they leave the room. Three other people are guests at the party, but each one gets a strange quirk or identity from the audience. For this Halloween version, think monsters, ghosts, or Voldemort! Once the guests know who they are, the host comes back in and throws a party! The host needs to figure out who the scary guests are...before they get him!
Zombies: This starts out like a normal improv game--you get any basic scene suggestions from the audience that you want (location, relationship, conflict, the usual). But at any point, another player who isn't in the scene can MURDER one of the other people in it and take their place! Anyone who gets murdered has to stay on the floor until someone yells "ZOMBIES!" Then they can get up and go back to their seat, but only if they move like a zombie.
Horror Freeze: Two people start a scene, but it has to be Halloween-themed! At any point, someone else can yell "FREEZE!" The two people have to freeze, and the new person taps out one of the two and starts a new scene based on the position they were in. But again, keep it all Halloween-themed! Perhaps there's a visit to a graveyard, or a spooky mansion, or Dracula!
Whatever you do for your Halloween party, be safe and have lots of fun! Halloween is a great time to play games and have lots of fun. And candy.
Also, if you want a spook, come see the Improv Playhouse Radio Players perform DRACULA, this Saturday night at our black box! Tickets are $15 for adults and $10 for seniors, students, and military at the door, but if you come in a costume, you get $2 off. Join us for either of two shows at 7:30 or 9:00 pm. We'll see you there...and so will the Count...
Chain Murder: Three people go out of the room, and while they're gone, one person sees a MURDER! The first person is told the murder's location, the occupation of the victim, and the weapon used (remember these with the acronym LOW). Person #2 comes in from outside, and the first person needs to tell the second what happened--but they both speak gibberish! Once the second person has learned the LOW-down, they MURDER the first person! The third person from outside the room comes in, and second person needs to tell the third person what happened. Once he/she figures it out, the third MURDERS the second! The fourth comes in and finds out what happened from the third. Once the fourth person finds out, he/she MURDERS the third! Then all four need to tell the audience what they think the location, occupation, and weapon were. It ends up being like the game telephone--it's never the same! (This description makes the game sound very complicated, but don't worry, it's not hard at all!)
Spooky Party Quirks: Party Quirks is an improv classic! One person is the host of the party, and they leave the room. Three other people are guests at the party, but each one gets a strange quirk or identity from the audience. For this Halloween version, think monsters, ghosts, or Voldemort! Once the guests know who they are, the host comes back in and throws a party! The host needs to figure out who the scary guests are...before they get him!
Zombies: This starts out like a normal improv game--you get any basic scene suggestions from the audience that you want (location, relationship, conflict, the usual). But at any point, another player who isn't in the scene can MURDER one of the other people in it and take their place! Anyone who gets murdered has to stay on the floor until someone yells "ZOMBIES!" Then they can get up and go back to their seat, but only if they move like a zombie.
Horror Freeze: Two people start a scene, but it has to be Halloween-themed! At any point, someone else can yell "FREEZE!" The two people have to freeze, and the new person taps out one of the two and starts a new scene based on the position they were in. But again, keep it all Halloween-themed! Perhaps there's a visit to a graveyard, or a spooky mansion, or Dracula!
Whatever you do for your Halloween party, be safe and have lots of fun! Halloween is a great time to play games and have lots of fun. And candy.
Also, if you want a spook, come see the Improv Playhouse Radio Players perform DRACULA, this Saturday night at our black box! Tickets are $15 for adults and $10 for seniors, students, and military at the door, but if you come in a costume, you get $2 off. Join us for either of two shows at 7:30 or 9:00 pm. We'll see you there...and so will the Count...
Friday, October 7, 2011
Focus, people!
We've all been there: it's a Friday, everyone's a little too excited for the weekend. Nothing gets done. No one can focus. Whether it's class, rehearsal, or a family road trip, it's a tough situation.
Energy is great (as all improvisers know), but you have to be able to channel that energy in a way that aids the scene, you, your fellow performers, and the audience. You can't just run around the stage yelling "WHEE!" at the top of your lungs for a few minutes. That lacks characters, a relationship, a location, a conflict, and, you know, quality. If you and those around you have got the squigglies and can't sit still, here's a great way to center without losing the excitement.
This game is called Counting. The premise is incredibly simple--count as high as you can. But here's the catch: if two people say the same number at the same time, you have to start back at 1. No patterns allowed (meaning you're not allowed to speak in order around the circle, or stare at the person you think should talk next). It has to be entirely random. And you certainly can't say multiple numbers in a row.
What tends to happen is that it takes several rounds to really get going, even if you set a goal. Giggles ensue when four people say 3 and then pairs keep saying 1 over and over. But eventually, things start to calm down. Everyone starts focusing. And you may get up to 20, 30, or even higher. In rehearsal for a play, my cast and I played this game every day. And at our last rehearsal, we got up to 100!
Strange though it may seem, everyone starts to feel the group energy. You can actually start to tell when you're clear to say a number and you can let the rhythm of the counting take you away. It's an amazing feeling to be so in tune with your group like that. Give it a try! You'll be surprised how calming it is.
What other games do you use to focus? Let us know, we'd love to try them!
-Allie
Energy is great (as all improvisers know), but you have to be able to channel that energy in a way that aids the scene, you, your fellow performers, and the audience. You can't just run around the stage yelling "WHEE!" at the top of your lungs for a few minutes. That lacks characters, a relationship, a location, a conflict, and, you know, quality. If you and those around you have got the squigglies and can't sit still, here's a great way to center without losing the excitement.
This game is called Counting. The premise is incredibly simple--count as high as you can. But here's the catch: if two people say the same number at the same time, you have to start back at 1. No patterns allowed (meaning you're not allowed to speak in order around the circle, or stare at the person you think should talk next). It has to be entirely random. And you certainly can't say multiple numbers in a row.
What tends to happen is that it takes several rounds to really get going, even if you set a goal. Giggles ensue when four people say 3 and then pairs keep saying 1 over and over. But eventually, things start to calm down. Everyone starts focusing. And you may get up to 20, 30, or even higher. In rehearsal for a play, my cast and I played this game every day. And at our last rehearsal, we got up to 100!
Strange though it may seem, everyone starts to feel the group energy. You can actually start to tell when you're clear to say a number and you can let the rhythm of the counting take you away. It's an amazing feeling to be so in tune with your group like that. Give it a try! You'll be surprised how calming it is.
What other games do you use to focus? Let us know, we'd love to try them!
-Allie
Friday, September 23, 2011
Theatre, a risk....who knew!
Hello, readers! This week, we here at Improv Playhouse would like to welcome our new intern, Jordan! Check out his first blog post.
Every day I wake up and I have a different thought. Yesterday I thought about what I was going to eat, today about not finishing my homework, and tomorrow it will most likely be about not wanting to get up! Now I am sure that whoever is taking the time to read this is saying, “Well, hey! I’ve had the same thoughts!” And I would have to say, “I’m sure you have.” This is what makes us so unique as the people we’ve become and the people we want to become: aspiring theatre geeks.
Today, Joe Schmo, who lives next door to you, woke up and said, “I’m going to put on my tie, drive to work, take two aspirins, go to lunch, kiss up to the boss, leave at five, come home, eat, watch Law & Order: SVU, then go to bed.” Now this is a daily routine for Joe and his life never changes. That is why Joe makes five figures a year and we only make four. Now don’t get discouraged. That is just how theatre is, a risk; and now let’s divide even theater from improv.
Improv Playhouse prides itself on who they are in the world today with astonishing actors and many years of experience. But what really sets IP apart from the rest of the world? I’d have to say improvisation. Improv builds the best fundamentals for an actor while remaining the most unstructured form of art out there. Structure is something a theatre person has probably never heard of, but it can be good when it comes to keeping organized (and don’t forget obeying the laws). Without structure, you’re actually preparing yourself for any situation life can throw at you. Every day people lose their job, people divorce, cars gets towed, or you are broke and won’t get paid for another two weeks!
The ironic thing about it all is that everything is a risk. Daring to be different is a risk, as director Lloyd Richards once said. “Some risks cost more than others, and I guess those are the ones that you recognize as risks. But all of life is a risk. You try and achieve whatever you as an individual human being can achieve. To make that attempt is a risk. I guess I never decided to take risks with my life, I just had no choice. You take risks, whether they be small ones or whether they be large ones.” So, as I wrap up my first blog entry ever, I hope I have left you with a little something to think about: Life is a risk. Many people don’t ever want to touch on the subject of theatre being a risk, but inevitably you will risk it all in the end. And if you really want to pursue your dream, don’t stop. I am learning now to never give up because "All the world's a stage; all the men and women are merely players."
-Jordan
Every day I wake up and I have a different thought. Yesterday I thought about what I was going to eat, today about not finishing my homework, and tomorrow it will most likely be about not wanting to get up! Now I am sure that whoever is taking the time to read this is saying, “Well, hey! I’ve had the same thoughts!” And I would have to say, “I’m sure you have.” This is what makes us so unique as the people we’ve become and the people we want to become: aspiring theatre geeks.
Today, Joe Schmo, who lives next door to you, woke up and said, “I’m going to put on my tie, drive to work, take two aspirins, go to lunch, kiss up to the boss, leave at five, come home, eat, watch Law & Order: SVU, then go to bed.” Now this is a daily routine for Joe and his life never changes. That is why Joe makes five figures a year and we only make four. Now don’t get discouraged. That is just how theatre is, a risk; and now let’s divide even theater from improv.
Improv Playhouse prides itself on who they are in the world today with astonishing actors and many years of experience. But what really sets IP apart from the rest of the world? I’d have to say improvisation. Improv builds the best fundamentals for an actor while remaining the most unstructured form of art out there. Structure is something a theatre person has probably never heard of, but it can be good when it comes to keeping organized (and don’t forget obeying the laws). Without structure, you’re actually preparing yourself for any situation life can throw at you. Every day people lose their job, people divorce, cars gets towed, or you are broke and won’t get paid for another two weeks!
The ironic thing about it all is that everything is a risk. Daring to be different is a risk, as director Lloyd Richards once said. “Some risks cost more than others, and I guess those are the ones that you recognize as risks. But all of life is a risk. You try and achieve whatever you as an individual human being can achieve. To make that attempt is a risk. I guess I never decided to take risks with my life, I just had no choice. You take risks, whether they be small ones or whether they be large ones.” So, as I wrap up my first blog entry ever, I hope I have left you with a little something to think about: Life is a risk. Many people don’t ever want to touch on the subject of theatre being a risk, but inevitably you will risk it all in the end. And if you really want to pursue your dream, don’t stop. I am learning now to never give up because "All the world's a stage; all the men and women are merely players."
-Jordan
Thursday, August 18, 2011
Balancing Acts: Managing School and Theater
It's almost fall, and everyone knows what that means: back to school! We can almost hear you groaning out there. Improv Playhouse is offering fall classes and productions to make the transition smoother! For our Libertyville schedule, click here and for our Highland Park schedule, click here.
Whether you perform with us, with your school, or another group, it isn't always easy to balance theater and school. Check out these tips on how to manage both from those of us who have lived through it too.
-Before you audition, make sure you know as many dates as possible when the show will require your presence. This includes rehearsals, tech, and the performance! (Generally, rehearsal schedules aren't completely finished by audition time, so just knowing the range of dates is the best you can do.) The better you understand the commitment, the better you understand what will be expected of you. Prepare wisely. And sometimes preparing wisely may mean you need to let something go!
-If you're in school and theater at the same time, that probably means you would prefer to spend every waking moment living, breathing, and eating theater. But don't forget that school is a priority! Make sure you're getting your homework done.
-Sometimes, if it's a full cast rehearsal, you won't be needed onstage the whole time. Fun as it is to talk with friends, instead you should bring your homework and get it done then! It's way better than staying up late--especially when you have school again the next day.
-The best way to focus both in school and in theater is to make sure you're getting enough sleep! It's hard to get theater kids to go to bed early, but it's one of the smartest things you can do to stay focused, energized, and healthy. Plan your schedule wisely to make sure you can be in bed at a reasonable hour.
-When you're busy, do you know what's just as important as giving your best to all your commitments? Relaxing! Make sure you give yourself time to watch TV, read a book, play a video game, or hang out with friends. You're no use to any of your commitments if you run yourself ragged.
We hope you'll be able to master this balancing act. Being a theater addict isn't always an easy life, but it's definitely a rewarding one. Take it from us--if you can pull it off, it will be worth it!
-Allie
Whether you perform with us, with your school, or another group, it isn't always easy to balance theater and school. Check out these tips on how to manage both from those of us who have lived through it too.
-Before you audition, make sure you know as many dates as possible when the show will require your presence. This includes rehearsals, tech, and the performance! (Generally, rehearsal schedules aren't completely finished by audition time, so just knowing the range of dates is the best you can do.) The better you understand the commitment, the better you understand what will be expected of you. Prepare wisely. And sometimes preparing wisely may mean you need to let something go!
-If you're in school and theater at the same time, that probably means you would prefer to spend every waking moment living, breathing, and eating theater. But don't forget that school is a priority! Make sure you're getting your homework done.
-Sometimes, if it's a full cast rehearsal, you won't be needed onstage the whole time. Fun as it is to talk with friends, instead you should bring your homework and get it done then! It's way better than staying up late--especially when you have school again the next day.
-The best way to focus both in school and in theater is to make sure you're getting enough sleep! It's hard to get theater kids to go to bed early, but it's one of the smartest things you can do to stay focused, energized, and healthy. Plan your schedule wisely to make sure you can be in bed at a reasonable hour.
-When you're busy, do you know what's just as important as giving your best to all your commitments? Relaxing! Make sure you give yourself time to watch TV, read a book, play a video game, or hang out with friends. You're no use to any of your commitments if you run yourself ragged.
We hope you'll be able to master this balancing act. Being a theater addict isn't always an easy life, but it's definitely a rewarding one. Take it from us--if you can pull it off, it will be worth it!
-Allie
Wednesday, August 3, 2011
Ah-CHOO...oh no! Fighting sickness during a show
Everyone in theater has had that sinking feeling upon discovering a tickle in the back of the throat right before opening night. While it most noticeably affects actors, it's still no fun to need to blow your nose when pulling the curtain, to hold back a cough over the stage manager's headset, or to try not to sneeze while aiming the spotlight. And since an exhausting tech always comes before a show opens, it seems almost inevitable that the cast and crew can come down with the sniffles.
Here are some tips that come mom-approved to help you stay healthy for opening night!
-The most widely known way to fend off a cold is Vitamin C. Make sure you're getting a good amount by eating oranges, drinking orange juice, and, if you feel the cold starting, you can even take a Vitamin C supplement. Check here (http://www.webmd.com/
-Gargling with Listerine not only gives you good breath and a healthy mouth--it also kills cold germs! Swishing it around your mouth is the best way to get good breath, but make sure you spend some time gargling to get those germs in the back of your throat.-This one sounds the strangest of all, but pay attention: heat up a mug of water and pour about 1/4 teaspoon of salt into it. Stir it up and dip a Q-tip in. Rub the dipped Q-tip on the inside of one nostril. Use the other end of the Q-tip for the other nostril and repeat. (Make sure you get each nostril twice, each time with a new Q-tip end!) Then blow your nose (for bonus points, use the Kleenex antibacterial tissues)!
-If you have a scratchy throat (especially when you wake up in the morning), one of the best ways to calm it down is to drink tea with honey mixed in. Choose a flavor of tea that won't mix badly with honey (I recommend English Breakfast) and stir continuously while you drink. You don't want all that delicious honey to pool at the bottom!
-The number one way to fight a cold is to get enough sleep! I know it's useless to tell this to theater kids--sleep is hard to come by during rehearsals and tech week--but do everything you can to get at least 8 hours a night!But do you know the absolute best way to keep yourself healthy to start with? WASH YOUR HANDS!!! Tempting though it may be to reach into a common bag of chips during tech, remember that's how the germs latch on! (On a similar note, if you're the one who has a cold, please be courteous and wash your hands/use hand sanitizer as often as you can, especially after you blow your nose.)
Good luck getting better. It's awful to get a cold, but being in a show at the same time adds another level of horror that only theater kids understand!
-Allie
Here are some tips that come mom-approved to help you stay healthy for opening night!
-The most widely known way to fend off a cold is Vitamin C. Make sure you're getting a good amount by eating oranges, drinking orange juice, and, if you feel the cold starting, you can even take a Vitamin C supplement. Check here (http://www.webmd.com/
-Gargling with Listerine not only gives you good breath and a healthy mouth--it also kills cold germs! Swishing it around your mouth is the best way to get good breath, but make sure you spend some time gargling to get those germs in the back of your throat.
-If you have a scratchy throat (especially when you wake up in the morning), one of the best ways to calm it down is to drink tea with honey mixed in. Choose a flavor of tea that won't mix badly with honey (I recommend English Breakfast) and stir continuously while you drink. You don't want all that delicious honey to pool at the bottom!
-The number one way to fight a cold is to get enough sleep! I know it's useless to tell this to theater kids--sleep is hard to come by during rehearsals and tech week--but do everything you can to get at least 8 hours a night!
Good luck getting better. It's awful to get a cold, but being in a show at the same time adds another level of horror that only theater kids understand!
-Allie
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